Animal Kingdom, showing at the Broadway Cinematheque in Yaumatei, is a fair dinkum winner from down under, fully deserving of its 97% critics' rating at Rotten Tomatoes .
On the surface, this is a film about a criminal family in Melbourne, but in reality it's about the waste and degradation brought about by selfishness, idleness and a complete failure of the human spirit.
This is no promotional video for the Victorian tourist board. The only glamorous shot in the movie is a dusk image of the city skyline, but even that is symbolic of the sun that is setting for five people – four brothers and their mother – who have traded their souls in return for what exactly? A life of weakness and littleness, characterised by fear and loathing, much of it turned in upon themselves.
Besides being disastrous for their victims and for themselves, the family's actions impinge on the lives of all who come within their orbit. In one of the most powerful scenes in the film, the wife of the detective who is tasked with caging these animals throws his mobile phone onto the floor beside him when he is called away from home yet again.
This couple are no strangers to tragedy, having brought into the world a child with Down's Syndrome, with whom the cop is playing with the kind of love and patience which his quarry abjured years ago.
A surprise ending that is both credible and thought provoking rounds off one of the best films of last year and a stunning feature debut from writer/director David Michôd, from whom we will, I am sure, be hearing more.
On the surface, this is a film about a criminal family in Melbourne, but in reality it's about the waste and degradation brought about by selfishness, idleness and a complete failure of the human spirit.
This is no promotional video for the Victorian tourist board. The only glamorous shot in the movie is a dusk image of the city skyline, but even that is symbolic of the sun that is setting for five people – four brothers and their mother – who have traded their souls in return for what exactly? A life of weakness and littleness, characterised by fear and loathing, much of it turned in upon themselves.
Besides being disastrous for their victims and for themselves, the family's actions impinge on the lives of all who come within their orbit. In one of the most powerful scenes in the film, the wife of the detective who is tasked with caging these animals throws his mobile phone onto the floor beside him when he is called away from home yet again.
This couple are no strangers to tragedy, having brought into the world a child with Down's Syndrome, with whom the cop is playing with the kind of love and patience which his quarry abjured years ago.
A surprise ending that is both credible and thought provoking rounds off one of the best films of last year and a stunning feature debut from writer/director David Michôd, from whom we will, I am sure, be hearing more.












