Last night, my wife and I had arranged to see
Chloe, the latest film by Atom Egoyan, the man born to be an anagram – with goats and agony crying out for top billing. Since the film was showing at the arty Broadway Cinematheque in Yaumatei at eight o'clock, we decided to try out
Yokozuna, which must hold some sort of record for longevity, as it was there when we lived nearby for a couple of years in the mid 1990s, and is still there today.
So too are the people standing faithfully on the pavement just off Nathan Road – like pilot fish around a shark – at any hour of day or night. Armed with this knowledge, I duly arrived at 6.25pm and received my number (84), being informed that there were around ten groups in front of me. Given that the capacity of the restaurant is only 24 people, I kept this information to myself when my wife arrived, merely telling her that the queue was moving fast and we'd soon be inside. As it happened, this turned out to be true, given Hong Kong people's obsession with grabbing a ticket and then disappearing.
The menu is in English apart from the back fold, which gives dishes in Chinese only. One of the dishes listed there, the eel and rice, was proving to be very popular, as we could hear people ordering it all around us. Neither of us being that keen on eel, we opted for grilled chicken from the Starters menu, cold noodles Chinese-style with sour-sweet sauce (a vegetarian dish with sliced mushrooms – a summer speciality that is highly recommended), and a minced chicken and egg bowl (with miso soup), for no other reason than that I fancied some.
Together with two cans of Asahi, the bill came to just HK$145, with the bonus that no 10% service charge is added to the bill – you just leave what you think is appropriate. Being in the heart of darkness, Yokozuna (which appears as "Kozuna" on the neon sign outside the shop) is easily accessible by public transport. If you’re coming by MTR, take Exit C from Yaumatei station, cross Nathan Road at the pedestrian crossing, walk right for fifty yards and it’s on the left next to the 7-Eleven.
As things turned out, the meal, modest as it was, was the highlight of the evening, as
Chloe was a load of old tosh. Faced with a husband who she thinks might be having an affair, Julianne Moore does what any normal woman would do in that situation and asks a prostitute to try and seduce him. (They obviously have no private dicks in the town where she lives.)
Well, I don't think it would be giving too much away to say that Moore
falls for the hooker – played by someone who looks as if she's just stepped out of the pages of
The Midwich Cuckoos. Things have never been the same for the Freckled One since she appeared as a housewife with lesbian tendencies in
The Hours opposite Nicole Kidman with an enormous nose. A quick Google search reveals that she's been playing lesbians as if they were going out of fashion, popping up most recently as a gay dominatrix who specialises in sadomasochism in
The Private Lives of Pippa Lee.
In
Chloe, she doesn’t so much pop up as pop out, her nipples putting in an early bid for Best Supporting Actresses with a performance that is less pencil eraser than Pentel push button. Avoid this rubbish. If you want better girl-on-girl action not to mention a somewhat better film, try Egoyan’s
Where The Truth Lies, starring Kevin Bacon, a post-Darcy Colin Firth and two extremely hot blonde birds strutting their stuff to Jefferson Airplane's "White Rabbit".